Tag Archives: love

“Adore” by Anne Fontaine (Australia, 2013)

 

Adore

Excellent scenario and some fantastic editing.
Many have called it a bad movie (see the main ratings) because of its scandalous theme – two middle-aged women falling for two young men they know. However, the same critics wouldn’t have blinked if the movie had staged two men falling for their daughter-in-law. Hypocrisy at its best!

Cast: Naomi Watts, Robin Wright, Xavier Samuel, James Frecheville, Ben Mendelsohn, Sophie Lowe
Director: Anne Fontaine
Screenplay: Christopher Hampton
Novel: Doris Lessing
Music by Christopher Gordon
Cinematography by Christophe Beaucarne
Film Editing by Luc Barnier, Ceinwen Berry

“Laggies” by Lynn Shelton (USA, 2014)

Laggies

Summarized: only the perfect (male) match can give sense to a woman’s life. No story to be proud of!
Just like Touchy Feely, a female reacts dramatically when her boyfriend offers her to commit herself more fully to their relationship. Adding to the sequel feeling, both movies stage an adult female, a teenager, and 2 adult males. In both movies, the “mother” is absent.
But instead of defining its personages realistically as they are in Touchy Feely, those in Laggies are inconsistent. A hopefully one-time hiccup in an up-to-now interesting oeuvre.

Cast: Keira Knightley, Sam Rockwell, Chloë Grace Moretz, Mark Webber, Ellie Kemper, Jeff Garlin, Kaitlyn Dever
Director: Lynn Shelton
Screenplay: Andrea Seigel
Director of Photography: Benjamin Kasulke
Original Music Composer: Benjamin Gibbard

“Your Sister’s Sister” by Lynn Shelton (USA, 2011)

Your Sister's Sister

Parallel relationships built between 2 half-sisters and 2 brothers / The father of the 2 half-sisters is evoked as a constant figure, whereas their mothers are replaceable (see Laggies)

Cast: Emily Blunt, Rosemarie DeWitt, Mark Duplass, Mike Birbiglia
Written and directed by Lynn Shelton
Music by Vinny Smith
Cinematography by Benjamin Kasulke
Film Editing by Nat Sanders

“Mansfield Park” by Patricia Rozema (Canada, 1998)

Mansfield Park

Social hierarchy is a recurring theme in this director’s work. In Mansfield Park, the lead personage comes from a poor branch of a family whose wealth is built on slavery. Kit Kitteridge: An American Girl (2008) depicts the social destitution and disintegration of a family as a consequence of the Great Depression, and the parallel world of hobos. Into The Forest shows again a society in the process of disintegration, which leads to the rape of a woman – both woman and rapist being honorable members of that society prior to these events.
“This is an uncommonly intelligent film, smart and amusing too, and anyone who thinks it is not faithful to Austen doesn’t know the author but only her plots.” writes Roger Ebert.

Cast: Frances O’Connor, Jonny Lee Miller, Alessandro Nivola
Director: Patricia Rozema
Writers: Jane Austen (novel), Patricia Rozema
Music by Lesley Barber
Cinematography by Michael Coulter
Film Editing by Martin Walsh

“Maudie” by Aisling Walsh (Ireland, 2016)

Maudie

Happiness doesn’t need much and can be learned.
One negative point: Ethan Hawke doesn’t fit the personage.

Cast: Sally Hawkins, Ethan Hawke, Gabrielle Rose, Billy MacLellan, Zachary Bennett, Kari Matchett
Director: Aisling Walsh
Writer: Sherry White
Cinematographer: Guy Godfree
Editor: Stephen O’Connell
Composer: Michael Timmins

“Belle” by Amma Asante (UK, 2013)

Belle

Similar in its content to A United Kingdom (2016), Belle shows in a dramatic and intelligent way the web of social constraints that ensue from racial segregation (horizontal) and hierarchical stratification and dominance (vertical inequalities). Furthermore, in both movies, love and politics are cleverly intertwined. And to make matters still more enjoyable, their main female characters are and remain intelligent and substantial throughout the movie.

Cast: Gugu Mbatha-Raw, Tom Wilkinson, Miranda Richardson, Sarah Gadon, Sam Reid, Matthew Goode, Emily Watson, Tom Felton, Penelope Wilton
Director: Amma Asante
Screenplay: Misan Sagay
Cinematography: Ben Smithard
Music: Rachel Portman
Film Editing: Victoria Boydell, Pia Di Ciaula