“Your Sister’s Sister” by Lynn Shelton (USA, 2011)

Your Sister's Sister

Parallel relationships built between 2 half-sisters and 2 brothers / The father of the 2 half-sisters is evoked as a constant figure, whereas their mothers are replaceable (see Laggies)

Cast: Emily Blunt, Rosemarie DeWitt, Mark Duplass, Mike Birbiglia
Written and directed by Lynn Shelton
Music by Vinny Smith
Cinematography by Benjamin Kasulke
Film Editing by Nat Sanders

“My Effortless Brilliance” by Lynn Shelton (USA, 2008)

 

My Effortless Brilliance

Intimate situations around 2 or 3 personages characterize this director’s work
My Effortless Brilliance and Humpday are built around male relationships, while the following movies are more female oriented, with males used as catalysts

Cast: Basil Harris, Jeanette Maus, Sean Nelson
Director: Lynn Shelton
Writers: Basil Harris, Jeanette Maus
Music by Ted Speaker
Cinematography by Benjamin Kasulke
Film Editing by Sean Donavan, Lynn Shelton

“Advantageous” by Jennifer Phang (USA, 2015)

Advantageous

Slow-moving satire of the corporate world that dehumanize the individual.
A movie depicting our world in a not too far-fetched future, a world that has no advantage to offer for us, humans, a world in which we have to become inhuman to survive.
Among some of the ideas brought forward:

  • We should talk about “natural deselection” because humanity makes the same errors again and again
  • “There’s nothing fiercer than a mother’s love”
  • Corporations prefer to fire women because they will stay at home, and men won’t

Cast: Jacqueline Kim, James Urbaniak, Freya Adams
Director: Jennifer Phang
Writers: Jacqueline Kim, Jennifer Phang
Music by Timo Chen
Cinematography by Richard Wong
Film Editing by Sean Gillane, Jennifer Phang

“When Night Is Falling” by Patricia Rozema (Canada, 1995) (2)

When Night Is Falling (sec view)

The passion a woman feels for another woman makes her abandon all her moral certitudes.
Some weaknesses in the script / Excellent camera work on bodies and movement, when she and he make love (lights on the wall), followed by the two women making love, beautifully underscored by two female trapezists exercising.

Cast: Pascale Bussières, Rachael Crawford, Henry Czerny
Director: Patricia Rozema
Writer: Patricia Rozema
Music by Lesley Barber
Cinematography by Douglas Koch
Film Editing by Susan Shipton

“Mansfield Park” by Patricia Rozema (Canada, 1998)

Mansfield Park

Social hierarchy is a recurring theme in this director’s work. In Mansfield Park, the lead personage comes from a poor branch of a family whose wealth is built on slavery. Kit Kitteridge: An American Girl (2008) depicts the social destitution and disintegration of a family as a consequence of the Great Depression, and the parallel world of hobos. Into The Forest shows again a society in the process of disintegration, which leads to the rape of a woman – both woman and rapist being honorable members of that society prior to these events.
“This is an uncommonly intelligent film, smart and amusing too, and anyone who thinks it is not faithful to Austen doesn’t know the author but only her plots.” writes Roger Ebert.

Cast: Frances O’Connor, Jonny Lee Miller, Alessandro Nivola
Director: Patricia Rozema
Writers: Jane Austen (novel), Patricia Rozema
Music by Lesley Barber
Cinematography by Michael Coulter
Film Editing by Martin Walsh

“Into The Forest” by Patricia Rozema (Canada, 2015)

Into The Forest

Good story and realization, average content
Three men: the father, the lover, the raper / Three women: ywo sisters + deceased mother
The “scifi” setting that was perhaps justified when the story was written in 1996 doesn’t convey anything to the plot today.

Cast: Ellen Page, Evan Rachel Wood, Callum Keith Rennie, Max Minghella
Director: Patricia Rozema
Based on the novel by Jean Hegland
Writer: Patricia Rozema
Cinematographer: Daniel Grant
Editor: Matthew Hannam
Composer: Max Richter

“The Great Beauty” by Paolo Sorrentino (Italy, 2013)

The Great Beauty

“The haggard, inconstant flashes of beauty, and then the wretched squalor and miserable humanity”
Excellent musical choice and editing. Music by John Tavener, Zbigngiew Preisner, Henryk Górecki, Georges Bizet, and many more (this blog provides a good overview)

Cast: Toni Servillo, Carlo Verdone, Sabrina Ferilli, Carlo Buccirosso, Iaia Forte, Pamela Villoresi, Galatea Ranzi, Franco Graziosi, Giorgio Pasotti, Massimo Popolizio
Director: Paolo Sorrentino
Screenplay: Paolo Sorrentino, Umberto Contarello
Music by Lele Marchitelli
Cinematography by Luca Bigazzi
Film Editing by Cristiano Travaglioli